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Two glazed doors separated by a central panel decorated with a stylized floral motif in marquetry of various colored woods inlaid with mother-of-pearl and abalone shell, the brass door handles with circular enamelled plaques; original finish intact; fitted with green velvet interior; arrived with key

Display cabinet, c. 1898

E. A. (Ernest Archibald) Taylor

G378

low rush woven seat; very tall back with two tapering side pieces and two wide vertical slats, all connected to ovoid piece at top with crescent cut-out; thick back support between back legs

High-back side chair, 1898

Charles Rennie Mackintosh

G378

Portrait of Sir Patrick Inglis, Baronet of Sunnyside, c. 1790-93

Sir Henry Raeburn

G306

East and West, 20th century

James Craig Annan

Not on View
two priests walking on dirt road; both wear white robes and black hats; one wears glasses, the other walks with cane

Whitefriar Monks, 1894

James Craig Annan

Not on View

Old Church - Burgos, 20th century

James Craig Annan

Not on View

Head of a Woman and Study of Hands, 1837

Sir David Wilkie

Not on View
bag, piece of Paisley shawl, cream and yellow silk background with floral design in several colors, chiefly blue and rose; rose silk lining

Bag, 18th century

Scotland

Not on View
Description Heavy line linen Jacquard Damask, artichoke-crown design, 14 inch pattern repeat Heavy line linen Jacquard Damask, Blue artichoke-crown design, 14 inch pattern repeat (tile with bronze)

%C2%A9 Jack Lenor Larsen%2C Inc.

Brazilian Baroque, 1959-1964

Donald Brothers Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
man wearing coat and vest, with PL hand on back of neck and PR arm extended, palm out; PR leg raised

%C2%A9 Steven Campbell

Gesturing Hiker, 1983

Steven Campbell

Not on View
worsted. Jacquard upholstery. Ribbed weave. 1" geo. Squares form straight & diag. Designs.rust, blue, moss green. 12" sq. pattern repeat. Opaline

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Labyrinth, 1981

Larsen Design Studio, New York; Mill: British Replin; Producer: Jack Lenor Larsen, Inc.

Not on View
landscape; farm fields; buildings foreground left; trees; hills in distance

Valley of the Tay, 1931

D. Y. Cameron

Not on View
seated man wearing a hat, short jacket, vest, and bandana, looking down toward lower left corner; sepia toned

Redding the Line, Willie Liston, Newhaven, Scotland, 1845, c. 1890

David Octavius Hill; Photographer: Robert Anderson

Not on View
Repp weave Vert. Stripe of varying widths, some with chevrons. Vert. Rpt. 5"; horiz. Rpt. 12". Shades of red & blue Aubergine

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Turkoman, 1978

Larsen Design Studio, New York; Mill: British Replin; Producer: Jack Lenor Larsen, Inc.

Not on View
four-story building on a street corner; two figures looking out of two separate windows, one above open doorway, one to right of same doorway; three women in front of open doorway--two standing, one seated; four other figures on street at left

Beauvais, 1910

D. Y. Cameron

Not on View
nude female figure crouching, facing R, wearing sandals; bobbed brown hair; framed

%C2%A9 Sir William Russell Flint %2F Russell Flint Family

Lavinia in Sandals, 20th century

William Russell Flint

Not on View
two muscular male figures wearing white loin cloths, standing in a narrow boat; each figure rowing using long sticks; rich, blue gradated background

The Boat Men, 1920-1930

Mabel Royds

Not on View
small house with two chimneys nestled between a set of trees on left and row of bushes on right; small fence on left; small brick wall in LLC; body of water in center left; small, rising hills in background with thick white clouds in a blue sky at top of image; three fence posts in pink, blue and lavender pigment in LRC; corners of image boarder are rounded with thin black lines outlining

A Lochranza Croft, c. 1920-1930

Helen G. Stevenson

Not on View
abstract image; two bird heads at left and LRQ in green, yellow, and red; purple rectangle with horizontal black stripes at left; colorful spots and forms with yellow and black tubes at top and bottom at center at right

%C2%A9 Alan Davie %2F Artists Rights Society %28ARS%29%2C New York

Bird Noises, 1964

Alan Davie; Publisher: Curwen Press, London

Not on View
seated slightly stylized cat in profile from PL side, with rings around its neck

A Cat of Bubastis, 1909 (printed 1911)

D. Y. Cameron

Not on View

St. George's, Hanover Square, 1899

D. Y. Cameron

Not on View

St. Mark's, No. 2, 1900

D. Y. Cameron

Not on View

Old Houses, Greenock, 1890

D. Y. Cameron

Not on View

Angers: Rue des Filles Dieu, 1902

D. Y. Cameron

Not on View

The Workshop, 1905

D. Y. Cameron

Not on View

Van der Deevilij, 1892

D. Y. Cameron

Not on View
Pink and white; transfer print of a Scottish rose decoration with black-and-white checkered rim

Ewer, c. 1905

Attributed to George Logan; Manufacturer: Wedgwood

Not on View

Wooded Landscape, 19th century

Hugh (Grecian) William Williams

Not on View
pair of salt cellars. George III style, octagonal, pierced and with blue glass liners; maker: GC

Salt cellar, one of a pair, c. 1790

Scotland

Not on View
3/4 portrait of a seated woman with her body turned to the viewers left, but her head turned to look at the viewer; she wears a navy coat, gloves and hat; pink ground

The Black Hat, c. 1920-1929

Jessie Isabelle Garrow

Not on View
stone-arched bridge over a calm body of water; group of houses on L, with grassy patch of land in CL; blue sky

Scottish Bridge, 1921

Ian Cheyne

Not on View
tiny figure holding a net at L in front of rows of waves; very high horizon line

Waves, 1892

D. Y. Cameron

Not on View
black and white image of stone house to R of center; low sun at center; water at L; bridge over creek; soft effect; mounted to thick paper; in plastic slip cover

A Wee Cot Hoose, c. 1922

John M. Whitehead

Not on View
black and white view of house at L behind two tall trees; water in foreground; trees along horizon in distance; cloudy sky; mount loose (unattached); in plastic slip cover

The Darkness Deepens, c. 1924

John M. Whitehead

Not on View
black and white landscape with water in LLQ; tall trees at center and to the R; cloudy sky; mounted on board; in plastic slip cover

A Mid Summer Night, c. 1923

John M. Whitehead

Not on View
dark black and white image of windmill on horizon; clouds in upper two-thirds of image; unmounted; in plastic slip cover

The Haunted Mill, c. 1920

John M. Whitehead

Not on View
child at R standing proudly, holding a glass in his PL hand; two boys seated on floor at LL, looking towards standing boy; dog near LRC; interior of a dark room

Interior with Three Boys and a Dog, 1813

Sir David Wilkie

Not on View
green snake engaged in a physical altercation with a purple creature; black cloud with lightning strike in URQ; red jagged shape in ULQ

Strife, c. 1930

Margaret C. Romanes

Not on View
central round image of Mary, wearing a blue dress and red wrap, holding a standing infant Jesus, seated on a cow, with flowers at left, with door and flaming sword behind figures; pair of women crouching in archway at bottom, wrapping a shroud around a body; figures playing lute and pipes above archway at bottom; pair of figures with halos kneeling at top, wearing red and blue robes and wraps, with arms crossed over shoulders, flanking a tirptych with an angel with a scroll and an angel with a lute; feet extending from beneath clouds at top; received mounted on a stretcher

The Redemption of Mankind, c. 1887

Phoebe Anna Traquair

Not on View
wooden mantle clock shape; clock face in blue and tan, set at 10:34; in black below clock face is a view of Holyrood Palace; coin slot at top; wood lever at back to remove coins

"Holyrood Palace (mantle clock)" still bank, late 19th-early 20th century

Scotland

Not on View
blue and tan ceramic shpere on a pedestal. There are two bands of raides dots around the center and one around the top; large coin slot on one side;

"Scottish Money Bank" still bank, c. 1780

Scotland

Not on View
rippling green water in LLQ; rocky edge of land in white, pink, cream and mauve pigments in LRQ, with fabric covered post rising from cliff in right and moving upwards into URQ; mountains in blue and white pigments in ULQ; green sky with purple edging across top edge of image

Prayer Flags, 1920-1930

Mabel Royds

Not on View
construction site in a large reinforced pit with workers throughout; busy street scene at top of image with cars and people in city

Manhattan Excavation, 1923-1928

Muirhead Bone

Not on View
Portrait.

Portrait of Mrs. C. J. Martin, 1919

Harrington Mann

Not on View
Portrait of a man, John Baillie

Portrait of John Baillie (1772-1833), 1817

Sir Henry Raeburn

Not on View

The Hamilton Children, 1835

Sir David Wilkie

Not on View

Ben Venue and the Trossachs, c. 1880

John Blair

Not on View

The Reverend Robert Young, c. 1845

David Octavius Hill; Photographer: Robert Adamson

Not on View
Old Testament: Eliezer

Eliezer of Damascus, 1860

William Dyce

Not on View

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F DACS%2C London

The Silken World of Michelangelo, from Moonstrips Empire News, 1967

Sir Eduardo Paolozzi; Publisher: Editions Alecto

Not on View

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F DACS%2C London

Protocol-Sentences, from Universal Electronic Vacuum portfolio, 1967

Sir Eduardo Paolozzi

Not on View
dark green overall with two large bands depicting grass blades

Curtain panel, c. 1900-1910

Alexander Morton; Producer: Alexander Morton & Co.

Not on View
Portfolio of 100 color screenprints and loose text pages on colored papers. Introduction by Christopher Finch.

%C2%A9Artists Rights Society %28ARS%29%2C New York %2F DACS%2C London

Title Page for Moonstripes Empire News Volume I, 1967

Sir Eduardo Paolozzi; Publisher: Editions Alecto, London; Printer: Kelpra Studio, Ltd., London

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Maggie, 1914

James McBey

Not on View

A Carpenter's Shop - Toledo, 20th century

James Craig Annan

Not on View

Bridge of St. Martin - Toledo, 20th century

James Craig Annan

Not on View
two men stand in a field with steer and a wooden plough

Lombardy Ploughing Team, 19th century

James Craig Annan

Not on View
Franciscan monk walks alongside a brick building toward a canal

A Franciscan, Venice, 20th century

James Craig Annan

Not on View

Frau Mathasius, 20th century

James Craig Annan

Not on View

Frau Mathasius, 20th century

James Craig Annan

Not on View

Bolney Backwater, 20th century

James Craig Annan

Not on View

Group on a Hill - Granada, 20th century

James Craig Annan

Not on View

The River Schiavoni, Venice, 20th century

James Craig Annan

Not on View

Ex Libris, 20th century

James Craig Annan

Not on View

The Dark Mountains, 20th century

James Craig Annan

Not on View

Stirling Castle, 20th century

James Craig Annan

Not on View

Harlech Castle, 20th century

James Craig Annan

Not on View

The London Boardmen, c. 1877

John Thomson

Not on View
paisley shawl; embroidered on fine wool in shades of blue with red, green, and yellow; plain center

Shawl, 19th century

Scotland

Not on View

A Blind Musician - Granada, 20th century

James Craig Annan

Not on View
Pink and white; transfer print of a Scottish rose decoration with black-and-white checkered rim

Basin, c. 1905

Attributed to George Logan; Manufacturer: Wedgwood

Not on View
bag, made from pieces of two shawls, the side shown in picture has a design of leaves and flowers in red, blue, green and beige on a cream silk background; the other side is all wool, much coarser, with an all over pattern, mainly red; borders from two other shawls; red wool lining

Bag, 19th century

Scotland

Not on View

Prof. John Young of Glasgow University, 20th century

James Craig Annan

Not on View

The Etching Printer - William Strang, Esq., A.R.A., 20th century

James Craig Annan

Not on View

A Gitana - Granada, 20th century

James Craig Annan

Not on View

Tappit hen, 18th century

Scotland

Not on View

On a Dutch Shore, 20th century

James Craig Annan

Not on View

On a Dutch Shore, 20th century

James Craig Annan

Not on View

The White House, 20th century

James Craig Annan

Not on View

Prof. John Young of Glasgow University, 20th century

James Craig Annan

Not on View

The River Schiavoni, Venice, 20th century

James Craig Annan

Not on View

A Franciscan, Venice, 20th century

James Craig Annan

Not on View

Ploughing Team, 20th century

James Craig Annan

Not on View
men hiking in mountains; dark composition

The Dark Mountains, 20th century

James Craig Annan

Not on View

A Square - Ronda, 20th century

James Craig Annan; Publisher: Alfred Stieglitz

Not on View

A Gateway - Segovia, 20th century

James Craig Annan

Not on View

Portrait of Mrs. C, 20th century

James Craig Annan

Not on View

Janet Burnet, 1893

James Craig Annan

Not on View

Ca d'Oro, 1900

D. Y. Cameron

Not on View
#1

Customs House, 1899

D. Y. Cameron

Not on View
#2

Waterloo Place, 1899

D. Y. Cameron

Not on View
#4

The Horse Guards, 1899

D. Y. Cameron

Not on View

The Dolphins, 1892

D. Y. Cameron

Not on View

Craigmillar Castle, 1931

D. Y. Cameron

Not on View

Muckrach Castle, Scotland, c. 1900-1910

D. Y. Cameron

Not on View
paisley shawl, silk and wool, cream colored center with border in reds, blues and greens, fringed.

Shawl, 19th century

Scotland

Not on View
Paisley Shawl

Shawl, mid 19th century

Scotland

Not on View

Paisley Shawl, 20th century

Scotland

Not on View

Man Sketching, 20th century

James Craig Annan

Not on View
quarter-sawn and stained oak with pewter inlay and front up-and-pull latch

Cabinet, 1890

Attributed to George Walton; Manufacturer: Waring and Gillow

Not on View

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